Soldier of Orange (Soldaat van Oranje), The Netherlands

In October 2010, an Alcons LR14 loudspeaker system took its bow at the first performances of Soldaat van Oranje, De Musical (“Soldier of Orange, the Musical”), a huge, technically complex theatrical production based on the book by Erik Hazelhoff Roelfzema and the film of the same name. Three years, a thousand+ performances and over a million audience members later, the Alcons system is still performing flawlessly.

Alcons_Soldier_of_OrangeSoldaat van Oranje, De Musica) is the longest running and by far the biggest theatrical production ever staged in the Netherlands, housed in a converted aircraft hangar at a former military aerodrome in Valkenburg, near the city of Leiden. It tells the story of a group of Dutch students in the Second World War, each of whom follows a different path during the conflict, either as a collaborator or as part of the resistance under Nazi occupation.

“The confidence we placed in Alcons systems, with the superb speech-intelligibility and gain-before-feedback and not one single failure throughout years of daily use, has been fully justified.” Jeroen ten Brinke, sound designer


The revolving stage with different scenes

The show’s production is unique, with the raked audience seating on a 30m/100ft. diameter turntable in the middle of the hangar. The perimeter is divided up into different stage sets, the 1100-strong audience and 180º video projection revolving from scene-to-scene. The actors walk between the sets, maintaining continuity as the audience turns.

Sound designer Jeroen ten Brinke chose nearly 100 Alcons LR14 pro-ribbon line-array cabinets for a huge surround system – fed via an optical cable, fitted on a drum system that turns through a total of 7,000º to avoid breakage – every one of which is still working perfectly today.


The audio team Chiel Blaauw, Jeroen ten Brinke, Jos Diergaarde (L to R)

Each scene features an L-C-R array of LR14s, plus a 15” sub, driven by 30 ALC4 2x 2kW amplified loudspeaker controllers. With 14 arrays in all, as the seating revolves the right-hand array from the previous scene becomes the left array of the next one. The quality of the Alcons pro-ribbon LR14s was crucial in making these transitions smooth and lifelike. However, just as important was the exceptional reliability of the Alcons equipment.

After a thousand shows, one would expect even the most rugged loudspeaker or amplifier to be tiring, but the Alcons units are showing no sign of it.

“The LR14s and ALC4s have been worked relentlessly hard, but there has not been one breakdown, not a single replacement needed,” says Alcons Audio co-founder Tom Back. “Not even any components have needed changing.


one of three processing / amplification racks

“As a Dutch manufacturer, it has been an honour to have Alcons loudspeakers as the main house system on a production that tells a story of our heritage. We are very proud that the equipment has operated so flawlessly,” he says, before adding with a smile, “Although we’ve not been surprised about that!”

“It’s great to see that an experimental and very forward-thinking approach to the sound design for this project, was realized and confirmed in practice with the Alcons pro-ribbon arrays,” adds Jeroen. “The confidence we placed in Alcons systems, with the superb speech-intelligibility and gain-before-feedback and on top of that, not one single failure throughout years of intense, in fact almost daily, use, has been fully justified.”

In May 2016, in its 6th-year running, and after more than 1800 performances, the show reached the stunning record number of 2 million visitors!

“Being a technical production that people will be talking about for years, called by some “musical v2.0”, only makes us more proud to be part of it,” Tom concludes. “We really hope that it – and the Alcons loudspeakers in it – will be enjoyed by international audiences in due course.”

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